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This is a luxury trip, worth approx US$13,500.
For more info, and to enter, click my “Lucky Link”
The leaked/rumoured specs were pretty much spot on, but there were still some surprises under the hood. I hope to get my hands on one of these soon after release, but until then I can only comment on what Canon tell us it can do.
I’ll put a full specification list at the bottom of this post, but first off, I’d like to cover a few of the main differences between this and other models (namely the 5D Mark III, original 7D and the 1Dx).
The price (currently £1599) is where you would expect it to be as a “prosumer” grade cropped sensor DSLR. Technically speaking, it’s way ahead of the 5D Mark III on pretty much everything other than a full frame sensor. Some are saying this is like a mini EOS 1Dx, which can only be a good thing given that it is less than half the price, and still £600 cheaper than the already ageing 5D Mark III.
So, why should you buy this camera if you already have a perfectly capable 7D?
In my opinion, there are many reasons to upgrade, especially if your chosen persuasion is sports or wildlife photography. Here’s my summary:
If the claims made by Canon are true and this new high sensitivity/low noise sensor produces superb images in low light, then almost all of the benefits of a full-frame sensor are gone. The one exception is if you happen to be a landscape photographer and want to maintain your ultra wide angle shots.
Some other nice features which excite a geek like me but seem to have been overlooked my many of the mainstream reviews are as follows:
All in all, this looks like a really, really nice camera. It is very capable and will be just as much at home in a Pro’s bag as an enthusiastic amateur’s. It is scheduled to be available from authorised canon dealers from November 2014 onwards.
Head over to www.cvp.co.uk for some of the best UK deals.
Here are the full specs, in case I’ve overlooked anything and a few pics of what it looks like.
|Type:||22.4 x 15.0mm CMOS|
|Effective Pixels:||Approx. 20.2 Megapixels|
|Total Pixels:||Approx. 20.9 Megapixels|
|Low-Pass Filter:||Built-in/Fixed with fluorine coating|
|Sensor Cleaning:||EOS Integrated cleaning system|
|Colour Filter Type:||Primary Colour|
|Type:||Dual “DIGIC 6”|
|Focal Length:||Equivalent to 1.6x the focal length of the lens|
|Type:||TTL-CT-SIR with a dedicated CMOS sensor|
|AF System:||65 cross-type AF Points (Centre point is an extra sensitive dual-cross type point at f/2.8, cross-type at f/8|
|AF Working Range:||EV -3-18 (at 23°C & ISO100)|
|AF Modes:||AI Focus, One Shot, AI Servo|
|AF Point Selection:||Automatic selection, Single Point AF, Single Point Spot AF, AF point Expansion 4 points, AF Point Expansion surrounding 8 points, Zone AF, Large Zone AF|
|Selected AF point display:||Superimposed in viewfinder and indicated on top LCD panel and Quick Control screen|
|Predictive AF:||Yes, up to 8m|
|AF Lock:||Locked when shutter button is pressed half way in One Shot AF mode or AF-ON button is pressed|
|AF Assist Beam:||Intermittent firing of built-in flash or emitted by optional dedicated Speedlite|
|Manual Focus:||Selected on Lens|
|AF Microadjustment:||+/- 20 steps (wide and tele setting for Zooms), adjust all lenses by same amount, adjust up to 40 lenses individually, adjustments remembered for lens by serial number|
|Metering Modes:||TTL full aperture metering with 252 zone Dual Layer SPC – Evaluative, Partial, Spot and Centre weighted metering|
|Metering Range:||EV 0-20 (at 23° with 50mm f/1.4 lens ISO 100)|
|AE Lock:||Auto: in 1-shot AF Mode with evaluative metering exposure is locked when focus is achieved. Manual: By AE Lock button in creative zone modes|
|Exposure Compensation:||+/- 5 EV in 1/3 or 1/2 stop increments (can be combined with AEB)|
|AEB:||2,3,5 or 7 Shots +/-3 EV 1/3 or 1/2 stop increments|
|ISO Sensitivity:||Auto (100-16000), ISO-16000 (in 1/3 or 1 stop increments) H1:25600, H2:51200|
|Type:||Electronically-controlled focal-plane shutter|
|Speed:||30-1/8000sec (1/2 or 1/3 stop increments), Bulb|
|Type:||Auto White Balance with the imaging sensor|
|Settings:||AWB, Daylight, Shade, Cloudy, Tungsten, White Fluorescent light, Flash, Custom, Colour Temperature in Setting-White balance compensation|
|Custom White Balance:||Yes, 1 setting can be registered|
|WB Bracketing:||+/- 3 levels in single level increments, 3 bracketed images per shutter release|
|Dioptre Correction:||-3 to +1m|
|Focusing Screen:||Interchangeable (3 types, optional). Standard EH-A, Super precission Matte EH-S II|
|Mirror:||Quick-return half mirror (Transmission: reflection ratio of 40:60, no mirror cut-off with EF 600mm f/4 or shorter)|
|Viewfinder Information:||AF Info, Focus Indicator, Exposure Information, Flash Information, Image Information, Composition Information, Other information|
|Depth of Field:||Yes, with Depth of Field preview button|
|Eyepiece Shutter:||On Strap|
|Type:||7.7cm (3.0″) Clear View II TFT, approx. 1040k dots|
|Viewing Angle:||Approx. 170°|
|Coating:||Anti-reflection and Solid Structure|
|Brightness Adjustment:||Auto, Manual|
|Built-in Flash GN:||11|
|Built-in Flash Coverage:||up to 15mm focal length (35mm equivalent: 24mm)|
|Built-in Flash recycle time:||Approx. 3 seconds|
|Modes:||E-TTL II, Manual Flash, Multi flash, Integrated Speedlite Transmitter|
|Flash Exposure:||+/- 3EV in 1/2 or 1/3 increments|
|Flash Exposure Bracketing:||Yes|
|Flash Exposure Lock:||Yes|
|External Flash Compatibility:||E-TTL II with EX series Speedlites, wireless multi-flash support|
|External Flash Control:||Via Camera Menu Screen|
|Modes:||Intelligent Auto, Program AE, Shutter priority AE, Aperture priority AE, Manual, Bulb, Custom|
|Picture Styles:||Auto, Standard, Portrait, Landscape, Neutral, Faithful, Monochrome|
|Colour Space:||sRGB and Adobe RGB|
|Drive Modes:||Single, Continuous L, Continuous H, Self timer, Silent single shooting, Silent continuous shooting|
|Continuous Shooting:||Max. Approx. 10fps, infinite JPEGs or 31 RAW Images|
|Intervalometer:||Built-in, number of shots selectable from 1-99 or unlimited, Bulb timer possible|
|Live View Mode|
|Type:||Electronic viewfinder with image sensor|
|Frame Rate:||29.97 fps|
|Focusing:||Manual, Autofocus, Tracking|
|Metering:||Real-time evaluative metering with image sensor|
|Display Options:||Grid Overlay, Histogram|
|Still Image Type:||JPEG, RAW|
|Movie Type:||MOV (Video: H.264 or MP4: Intra frame / inter frame, Sound: Linear PCM with H.264, AAC with MP4)|
|Movie Size:||1920 x 1080 (59.94, 50 fps)|
|Max Duration:||29min 59sec|
|Computer:||SuperSpeed USB 3|
|Type:||CompactFlash Type I (UDMA compatible), SD Card|
|Supported Operating System|
|PC & Mac:||Windows 8.1/7/7 SP1 / Vista SP2 / XP SP3 – OS X v10.8-10.9|
|Included Software:||ImageBrowser EX, Digital Photo Professional, PhotoStitch, EOS Utility, Picture Style Editor|
|Battery Life:||Approx. 670 shots|
|Battery Indicator:||6 levels + percentage|
|Power saving:||Power turns off after 1,2,4,8,15 or 30 mins.|
|Body Materials:||Magnesium Alloy body covers|
|Operating Environment:||0-40°, 85% or less humidity|
|Dimensions (WxHxD):||148.6 x 112.4 x 78.2mm|
|Weight (body only):||Approx. 910g|
Source: Canon official Press release.
So, the rumour mill has been grinding a lot recently about the arrival of this long-awaited addition to the Canon lineup.
It’s been 5 years since the original EOS 7D was released, and it has been hailed as one of the most successful models in the Canon range. None of the models released since target quite the same market as the 7D did. The 6D looked promising but is too slow (4.5fps) and full frame, meaning all those with EF-S lenses would have to ditch their lens investment and start again. The 70D again looked like a good compromise, but lacks the build quality and features and really does not offer enough benefits for existing 7D users to upgrade.
Looking back at what made the 7D stand out will hopefully give insight into what the new version may offer.
I’ve read the rumours elsewhere, and applied a little logic too in order to come up with what I think is the most likely, and most complete spec list for the 7D Mark II (and yes, I’m pretty sure that’s what Canon will call it!).
Announcements are expectedaround September 15th, with availability soon after. There is also talk of a new 100-400mm L series lens being announces at the same time. If that turns out to be true, I’ll have a whole new kit bag for my trip to Botswana in September!
Update July 6th: According to the website canonrumors.com, they have information from a very reliable source that the Non-Disclosure Agreements relating to the EOS 7D replacement will be lifted in September. This makes it highly likely that the camera will be released at Photokina in Cologne, Germany from the 16th September. Whilst I really can’t wait for the announcement, it does mean that I’m unlikely to get my hands on the new body before my departure to Botswana on the 19th September. Shame 🙁
Anyone who knows me cannot deny my love of gadgets. If it has buttons, runs on batteries or plugs in, I want it.
The same applies to my photography – I like experimenting. In the good old days, that involved screwing a webcam or SLR to the back of my telescope or attaching lenses backwards to achieve macro-like focus.
More recently, I bought myself a Go Pro Hero 3 so I could film underwater in the pool. In actual fact, I ended up in an Airboat travelling about 30 mph across an alligator infested swamp shooting video at water level (see my other post on that!).
So, what’s next I often ask myself? Send the GoPro up to the edge of space on a weather balloon? Perhaps, but that’s been done already. How about a camera which lets you adjust your focal point AFTER the shot has been taken?
Enter, the Lytro Illum.
I discovered this camera purely by accident when reading some tech previews on one of the many geeky websites I frequent. It’s not due for release until summer 2014, but I have been following it’s progress very closely, and it looks VERY exciting.
There is one problem I foresee – this camera will mean I have to throw away every photography book I own because it rewrites them. All of them.
The Lytro Illum is billed as a ‘Light Field camera’. What this means is that rather than having a traditional sensor just capturing the light hitting the pixels, this puppy captures the entire light ray! We’re not talking pixels, we’re talking rays – 40 million of them in total (of 40 ‘Megarays’)
By capturing the ray of light, this enables the photographer to pick the focal point within the image after it has been taken. The days of taking a one-in-a-million shot only to find you focused on the tree in the background are gone. Simply choose the subject which was supposed to be in focus and you have the image you were after. Not only does this increase your “keeper rate” dramatically, it adds another dimension, literally, when viewing the images afterwards. If, as if often the case these days, you create a slideshow or video to view and share your images, you can create pull-focus effects much like you see in any professional video work, all from a single image.
I can see many situations where the functionality of this camera is literally going to change the way we take pictures. We’re already starting to see similar (although nowhere near as advanced) features popping up in the latest smart phones, but I’m more interested in how it will perform with specialist subjects.
For sports (not me!) and wildlife (me) photographers, the 1/4000sec shutter should be able to catch much of the action, and the 30-250mm (equivalent) lens has a pretty good reach.
The Macro performance intrigues me – the official specs state that it can focus down to 0mm in front of the lens. Yes, you did read that correctly – that’s ZERO millimetres. That will give some pretty unique close-ups. One thing macro photography always suffers from is a very shallow depth of field, so I’ll be very interested to try some focus stacking from a single frame.
Landscapes might prove a bit of a problem as the wide-angle doesn’t seem that wide, but that remains to be seen.
The build quality looks good with a mix of Magnesium and Aluminium (or Aluminum as out American friends insist on calling it) in the body, and it weights only slightly more than a “prosumer” grade D-SLR body (without a lens attached).
Take a look at the documentary below with some stunning examples on how this thing works: